The database Press Display features current newspapers from around the world.
You can also find current local newpapers on the west side of the Colonnade on the first floor of Ellis Library.
The Journalism Library has many current national and international newspapers.
If you are a student, you can also get the USA Today, New York Times, The Missourian, and the St. Louis Post-Dispatch from the newspaper bins at located on the groundfloor entryway by the Bookmark Cafe.
To browse in MERLIN, use a keyword search with terms like
- memoir
- biography
- autobiography
- keywords for subjects you are interested in.
Memoirs and biographies are found all over the library, but to start, you can try PN 451-PN 497, in 3 CENTRAL, and in PS 126- PS 138, in 2 EAST.
My Life by President Bill Clinton's My Life is the strikingly candid portrait of a global leader who decided early in life to devote his intellectual and political gifts, and his extraordinary capacity for hard work, to serving the public. It shows us the progress of a remarkable American, who, through his own enormous energies and efforts, made the unlikely journey from Hope, Arkansas, to the White House, a journey fueled by an impassioned interest in the political process which manifested itself at every stage of his life: in college, working as an intern for Senator William Fulbright; at Oxford, becoming part of the Vietnam War protest movement; at Yale Law School, campaigning on the grassroots level for Democratic candidates; back in Arkansas, running for Congress, attorney general, and governor. We see his career shaped by his resolute determination to improve the life of his fellow citizens, an unfaltering commitment to civil rights, and an exceptional understanding of the practicalities of political life.
The Liars' Club by "The Texas refinery town of Leechfield, perched on the swampy rim of the Gulf, is famous for mosquitoes and the manufacture of Agent Orange - a place where the only bookstores are religious ones and the restaurants serve only fried food. A handful of the Leechfield oil workers gather regularly at the American Legion Bar to drink salted beer and spin long, improbable tales. They're the Liars' Club. And to the girl whose father is the club's undisputed champion mythmaker, they exude a fatal glamour - one that lifts her from ordinary life." "But there are other lies. Darker, more hidden. Her mother's unimaginable past threatens the family's very sanity. Mary Karr looks back through younger eyes to exorcise those demons: a mad, puritanical grandmother; a vast inheritance squandered in one year flat; endless emptied bottles; and the darknesses inflicted on an eight-year-old girl. This voice explodes with antic, wit, stripped of self-pity. Miraculously, it makes a journey into joy. Here is a "terrific family of liars redeemed by a slow unearthing of truth.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Autobiography of Mark Twain by "I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion--to "talk only about the thing which interests you for the moment"--meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie MyrickEssays are often labelled by what they discuss, not the fact that they are essays. However, a few call numbers are specifically reserved for essays:
American Essays: PS420-PS429 and PS680-PS689
English Essays: PR921-PR928 and PR1361-PR1369
These can both be found in 2 EAST.
Consider the Lobster by Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
The Art of the Personal Essay by For more than four hundred years, the personal essay has been one of the richest and most vibrant of all literary forms. Distinguished from the detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day.The Art of the Personal Essayis the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.
The Best American Essays of the Century by This singular collection is nothing less than a political, spiritual, and intensely personal record of America's tumultuous modern age by our foremost critics, commentators, activists, and artists. In her introduction to this volume, Joyce Carol Oates describes her project as "a search for the expression of personal experience within the historical, the individual talent within the tradition." Along with Robert Atwan, who has overseen the acclaimed BEST AMERICAN ESSAYS series since its inception in 1986, Oates has chosen a list of works that are both intimate and important, essays that take on subjects of profound and universal significance while retaining the power and spirit of a personal address. This collection honors some of the twentieth century's best-known and best-loved writers on a breathtaking variety of topics. In a journalistic mode, Ernest Hemingway covers the bullfights in Pamplona, H. L. Mencken reacts to the Scopes trial, and Michael Herr dodges bullets in a helicopter over Vietnam. Nowhere is the intersection of our personal and political histories more meaningful than when the subject is America’s enduring legacy of racial strife, as shown by Richard Wright’s "The Ethics of Living Jim Crow," James Baldwin’s "Notes of a Native Son," Zora Neale Hurston’s "How It Feels to Be Colored Me," and others. The wonders and horrors of science, nature, and the cosmos are explored with eloquence, bravery, and beauty when Lewis Thomas writes about "The Lives of a Cell," Rachel Carson mulls "The Marginal World," and Stephen Jay Gould preaches evolution and baseball in "The Creation Myths of Cooperstown." Taken together, these essays fit, in the words of Joyce Carol Oates, "into a kind of mobile mosaic suggest[ing] where we've come from, and who we are, and where we are going." Mark Twain * W.E.B. Du Bois * Henry Adams * John Muir * William James * Randolph Bourne * John Jay Chapman * Jane Addams * T. S. Eliot * Ernest Hemingway * H. L. Mencken * Zora Neale Hurston * Edmund Wilson * Gertrude Stein * F. Scott Fitzgerald * James Thurber * Richard Wright * James Agee * Robert Frost * E. B. White * S. J. Perelman * Langston Hughes * Katherine Anne Porter * Mary McCarthy * Rachel Carson * James Baldwin * Loren Eiseley * Eudora Welty * Donald Hall * Martin Luther King, Jr. * Tom Wolfe * Susan Sontag * Vladimir Nabokov * N. Scott Momaday * Elizabeth Hardwick * Michael Herr * Maya Angelou * Lewis Thomas * John McPhee * William H. Gass * Maxine Hong Kingston * Alice Walker * Adrienne Rich * Joan Didion * Richard Rodriguez * Gretel Ehrlich * Annie Dillard * Cynthia Ozick * William Manchester * Edward Hoagland * Stephen Jay Gould * Gerald Early * John Updike * Joyce Carol Oates * Saul BellowLooking for a good non-fiction book to read but don't know where to start? These websites may help.
Books about humor and satire can be found between the call numbers of
-PN6146- PN6231 in 3 CENTRAL
-PR931- PR938 (American humor) in 2 EAST
-PS430- PS439 (English humour) in 2 EAST
Dress Your Family in Corduroy and Denim by David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.
Humor Me by Humor Me is a literary cavalcade of contemporary American funnymen-and funnywomen-of the page. Selected by the renowned humor-ist Ian Frazier and featuring more than fifty pieces of the greatest comic writing of our time, the book includes such masters of the form as Roy Blount, Jr., Bruce Jay Friedman, Veronica Geng, Jack Handey, Garrison Keillor, Steve Martin, and Calvin Trillin, as well as work by newer comic stars like Andy Borowitz, Larry Doyle, Simon Rich, George Saunders, and David Sedaris. 
