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Harlem Renaissance: Additional
Resources

Primary Sources

Primary Sources – Journals in Ellis Library:

Crisis:  “The Most Progressive Voice of Black America.”  New York, Nov. 1910 to March 1996.  Official organ of the National Association for the Advancement of Colored People.  Editor:  W.E.B. DuBois, Nov. 1910 to July 1934.

Fire!!  A Quarterly Devoted to the younger Negro artists.  1 November 1926.  Reprint.  Westport, Connecticut:  Negro Universities Press, 1970.  Edited by Wallace Thurman.

Opportunity:  “Journal of Negro Life.”  New York, January 1923 to Winter 1949.  Bulletin of the National Urban League.  Editor:  Charles S. Johnson, 1923 to Sept. 1928; E.A. Carter, Oct. 1929 to Winter 1949.

The Survey.  [Survey Graphic.]  Vol. LIII, no. 11 (March 1, 1925). Special issue devoted to Harlem.

Primary Sources – Books and Anthologies: (*= MERLIN request)

Boyd, Herb, and Robert L. Allen, eds.  Brotherman:  The Odyssey of Black Men in America.  New York:  Ballantine Books, 1995.

Du Bois, W.E.B.  The Souls of Black Folk.  1903.  Reprint.  Oxford U.P., 2007.

*Fauset, Arthur Huff. For Freedom: A Biographical Story of the American Negro, 1927.  Reprint, 1934.  Illustrations by Mabel Betsy Hill.  Cover design by Aaron Douglas.

Honey, Maureen, ed.  Shadowed Dreams: Women’s Poetry of the Harlem Renaissance.  Rutgers U.P., 1989.

Johnson, James Weldon.  Black Manhattan.  New York, 1940.

Lewis, David L., ed.  The Portable Harlem Renaissance Reader.  New York, 1994.

Locke, Alain, ed.  The New Negro.  1925.  Reprint.  New York, 1968, 1992.

Locke, Alain, ed.  The Negro in Art:  A Pictorial Record of the Negro Artist and of the Negro Theme in Art.  1940.  Reprint.  New York, 1979.

National Association for the Advancement of Colored People.  Thirty Years of Lynching in the United States, 1889-1918.  New York, 1919.

Patton, Venetria K., and Maureen Honey, eds.  Double-Take:  A Revisionist Harlem Renaissance Anthology.  2001.

Wells, Ida B., et. al.  The Reason Why the Colored American is not in the World’s Columbian Exposition:  the Afro-American’s contribution to Columbian literature.  1893, Reprint.  Ed. by Robert W. Rydell.  University of Illinois Press, 1999.

Woodson, Carter G.  The Negro in Our History.  Washington, D.C.:  Associated Publishers, 1922.

Secondary Sources

Secondary Sources – Books: (*= MERLIN request)

Anderson, Jervis.  This Was Harlem:  A Cultural Portrait, 1900-1950.  New York, 1981.

Apel, Dora, and Shawn Michelle Smith.  Lynching Photographs.  University of California Press, 2007.

Arnesen, Eric.  Black Protest and the Great Migration:  A Brief History with Documents.  2003.

Baker, Houston A.  Modernism and the Harlem Renaissance.  Chicago, 1987.

*Bearden, Romare, and Harry Henderson.  A History of African-American Artists from 1792 to the Present.  New York, 1993.

Carroll, Anne Elizabeth.  Word, Image, and the New Negro:  Representation and Identity in the Harlem Renaissance.  Indiana University Press, 2005.

Coleman, Leon.  Carl Van Vechten and the Harlem Renaissance.

Davis, Angela Y.  Blues Legacies and Black Feminism:  Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday.  New York:  Pantheon Books, 1998.

Douglas, Ann.  Terrible Honesty : Mongrel Manhattan in the 1920s.  New York : Farrar, Straus, and Giroux, 1995.

Dover, Cedric.  American Negro Art.  New York Graphic Society, 1960.

Driskell, David, et. al.  Harlem Renaissance:  Art of Black America.  1987, 1994.

Egar, Emmanuel E.  Black Women Poets of Harlem Renaissance.  University Press of America, 2003.

Fabre, Michel.  From Harlem to Paris:  Black American Writers in France, 1840-1980.  University of Illinois Press, 1991.

Goeser, Caroline.  Picturing the New Negro:  Harlem Renaissance Print Culture and Modern Black Identity.  University Press of Kansas, 2007.

Green, J. Ronald.  With a Crooked Stick:  The Films of Oscar Micheaux.  Bloomington:  Indiana U.P., 2004.

Harris, Bill.  The Hellfighters of Harlem:  African-American Soldiers Who Fought for the Right to Fight for Their Country.  New York:  Carroll & Graf Publishers, 2002.

Hartigan, Lynda Roscoe.  Sharing Traditions:  Five Black Artists in Nineteenth-Century America.  Washington, D.C.:  National Museum of American Art, 1985.

Helbling, Mark.  The Harlem Renaissance:  The One and the Many.  Greenwood Press, 1999.

Hutchinson, George, ed.  The Cambridge Companion to the Harlem Renaissance. Cambridge, UK:  Cambridge U.P., 2007.

Hutchinson, George.  The Harlem Renaissance in Black and White.  Cambridge, Mass., 1995.

Kellner, Bruce, ed.  The Harlem Renaissance:  A Historical Dictionary for the Era.  Greenwood Press, 1984.

Kirschke, Amy Helene.  Aaron Douglas:  Art, Race, and the Harlem Renaissance. Jackson, Miss., 1995.

Kramer, Victor A., ed.  The Harlem Renaissance Re-examined.  New York, 1987.

Leininger, Theresa.  “The Transatlantic Tradition:  African American Artists in Paris,1830-1940,” in Paris Connections:  African American Artists in Paris.  San Francisco:  Q.E.D. Press, 1992.

Leininger-Miller, Theresa.  New Negro Artists in ParisAfrican-American Painters and Sculptors in the City of Light, 1922-1934.  Rutgers, 2000.

Lewis, Samella.  Art:  African American.  New York, 1978.

McElroy, Guy C., et. al.  African-American Artists 1880-1987.  Smithsonian Institution, 1989.

McElroy, Guy C.  Facing History : The Black Image In American Art, 1710-1940.

 San Francisco, CA: Bedford Arts ; Washington, D.C. : Corcoran Gallery of Art, 1990.

Outka, Paul.  Race and Nature from Transcendentalism to the Harlem Renaissance. New York:  Palgrave, 2008.

Patton, Sharon F.  African-American Art.  New York, 1998.

Porter, James A.  Modern Negro Art.  New York:  Arno Press, 1943.

Powell, Richard J.  Black Art and Culture in the Twentieth Century.  New York, 1997.

Powell, Richard J.  Homecoming:  The Art and Life of William H. Johnson.  New York and Washington, D.C., 1991.

Powell, Richard J., et. al.  Rhapsodies in Black:  Art of the Harlem Renaissance. Berkeley and London, 1997.

Ramesh, Kotti Sree, and Kandula Nirupa Rani.  Claude McKay:  The Literary Identity from Jamaica to Harlem and Beyond.  McFarland & Co., 2006.

Reynolds, Gary A., and Beryl J. Wright.  Against the Odds:  African-American Artists and the Harmon Foundation.  Newark, 1989.

Rodgers, Marie E.  The Harlem Renaissance:  An Annotated Reference Guide for Student Research.  Englewood, Colorado:  1998.

Schoener, Allon, ed.  Harlem on My Mind:  Cultural Capital of Black America, 1900-1968.  New York, 1968.

Schwarz, A.B. Christa.  Gay Voices of the Harlem Renaissance.  Indiana U.P., 2003.

Sherrard-Johnson, Cherene.  Portraits of the New Negro Woman:  Visual and Literary Culture in the Harlem Renaissance.  Rutgers U.P., 2007.

Smith, Katharine Capshaw.  Children’s Literature of the Harlem Renaissance. Bloomington:  Indiana University Press, 2004.

Smith, Shawn Michelle.  Photography on the Color Line:  W.E.B. Du Bois, Race, and Visual Culture, 2004.

Tarver, Australia, and Paula C. Barnes.  New Voices on the Harlem Renaissance: Essays on Race, Gender, and Literary Discourse.  Fairleigh Dickinson U.P., 2006.

Taylor, William E., and Harriet G. Warkel.  A Shared Heritage:  Art by Four African Americans.  Indiana U.P., 1996.

Tolson, Melvin B.  The Harlem Group of Negro Writers.  Ed. by Edward J. Mullen.  Originally published in 1940.  Greenwood Press, 2001.

Turner, Elizabeth Hutton.  Jacob Lawrence:  The Migration Series.  Washington, D.C.,1993.

Wall, Cheryl A.  Women of the Harlem Renaissance.  Bloomington, 1995

Washington, Robert E.  The Ideologies of African American Literature:  From the Harlem Renaissance to the Black Nationalist Revolt.  Rowman & Littlefield Publishers, 2001.

Watson, Steven.  The Harlem Renaissance:  Hub of African-American Culture, 1920-1930.  New York, 1995.

Whalan, Mark.  The Great War and the Culture of the New Negro.  University Press of Florida, 2008.

Willis, Deborah, ed.  J.P. Ball:  Daguerrean and Studio Photographer.  New York: Garland Publishing, Inc., 1993.

Willis, Deborah.  Reflections in Black : A History of Black Photographers, 1840 to the Present.  New York : W.W. Norton, 2000.  [Available in the Journalism Library]

Willis-Braithwaite, Deborah.  Van Der Zee, Photographer.  New York, 1993.

vIdeos

Black Is…Black Ain’t.  Dir. Marlon Riggs, 1994, 1 hr. 27 min.  DVD

Blood of Jesus, produced, written and directed by Spencer Williams, 1941; Lying Lips,
dir. Oscar Micheaux, 1938.  DVD

Ethnic Notions.  57 min.  Documentary.  DVD

Harlem rides the range, directed by Richard C. Kahn, 1939; and Murder in Harlem, directed by Oscar Micheaux, 1935.  DVD

Hollywood Rhythm Vol. I:  The Best of Jazz and Blues, ca. 1929.

Imitation of Life, dir. John M. Stahl, 1934.

Midnight ramble: Oscar Micheaux and the story of race movies. Documentary.  1994. VHS [Available in the Journalism Library]

Paul Robeson:  Portraits of the Artist.  Criterion Collection.  4-DVD set. Includes Body and Soul (1925), Borderline (1930), The Emperor Jones (1933), Sanders of the River (1935), Jericho (1937), The Proud Valley (1940), Native Land (1942).

Princess Tam Tam, 1935, 77 min., French, dir. Edmond Greville, starring Josephine Baker.

The Siren of the Tropics (La sirène des tropiques), 1927, French, dir. Henri Étiévant and Mario Nalpas, starring Josephine Baker.

Attribution

This page is:

The Harlem Renaissance in Art, Literature, and Film: a Selected Bibliography – Compiled by Elizabeth Hornbeck, University of Missouri-Columbia Assistant Teaching Professor, Department of Art History and Archaeology