Marginalisation and utopia in Paul Auster, Jim Jarmusch and Tom Waits : the other America by 
Feminist Posthumanism in Contemporary Science Fiction Film and Media by 
Real-Time Video Content for Virtual Production & Live Entertainment by 
Writing Women for Film and Television: a guide to creating complex female characters by 
Shots to the Heart: for the Love of Film Performance by 
Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism by 
The Filmmaker's Guide to Creatively Embracing Limitations: not getting what you want leading to creating what you need by 
Katrina Daschner: burn & gloom! Glow & moon! (Thousand Years of Troubled Genders)
The Orientalist Semiotics of Dune: Religious and Historical References within Frank Herbert’s Universe by 
Immersive Storytelling for Real and Imagined Worlds by 
Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy by 
Mark Leckey: Fiorucci Made Me Hardcore by 
The Final Rewrite: how to view your screenplay with a film editor's eye by 
Cinema as a Political Media: Germany and Italy Compared, 1945–1950s by 
Taking Measures: usages of formats in film and video art by 
Seeing Things: spectral materialities of Bombay horror by 
Exclusive Memory: a perceptual history of the future / Tom Sherman by 
Lagos Never Spoils: Nollywood and Nigerian city life by 
This guide will be added to and improved little by little. A section for film production is coming soon. If you have any ideas of what you'd like to see on this Film guide, email the Subject Librarian for Film, Janet Hilts (see below). Also, reach out to her with any recommendations of books or other materials on film or adjacent topics that you'd like to see in Ellis Library.
