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Teaching the History of Print

This guide covers resources in Special Collections related to the history of print in Europe, starting with the 1450s and continuing to the 20th century.

Hand Press Printing

Moveable type was invented in Asia but was not widely used due to the logographic nature of Asian languages, meaning that most Asian printers relied on xylography and other forms of block printing. In Europe, moveable type was invented separately by the goldsmith and merchant Johannes Gutenberg, drawing on processes from numerous extant technologies. Further innovations followed and the specific details of Gutenberg's own press have been lost, but within a few years, the printing press had largely taken the form it would retain throughout the rest of the hand press period until the mechanization of printing in the nineteenth century.

The following videos are included below:

  • The Print Workshop in the Fifteenth Century. This documentary from the Cambridge University Library briefly discusses the history and mechanics of the early hand press.
  • The Making of a Renaissance Book. This documentary was shot in 1969 at the Plantin-Moretus Museum in Antwerp, which maintains a seventeenth-century print shop, and was remastered by the Rare Book School in 2004. Topics covered include: cutting a type punch; making a copper strike and justifying the matrix; casting and dressing the type; composition, imposition, and proof-reading; inking and running off the sheets; and stop-press corrections.
  • Letterpress printing at the Museum Plantin-Moretus.  These four videos (collected in a playlist on YouTube) present silent demonstrations of printing created by the museum in Antwerp, Belgium. The videos show: (1) a compositor setting a page; (2) type being tied up; (3) type moved to press; (4) pages being printed.
  • At the Acorn Press in Neilson Library. The curator of rare books at Smith College walks the viewer through the use of a cast-iron “acorn press” from the 1830s, explaining each step as he goes along.  The acorn press was developed immediately before the wide-spread use of fully mechanized printing, i.e., it was one of the last fully hand-run presses.

 

Mechanized Printing

Steps were being taken towards mechanical printing as early as the 1790s, when the English inventor William Nicholson developed a design for a flat-bed machine. In the 1810s, Friedrich Koenig built steam-powered machines capable of printing 900 perfected sheets per hour, a sixfold increase in speed from hand presses. By the 1850s and 1860s, the hand press had been largely supplanted by a variety of fully mechanized presses. Although hand presses are still used today by artists and fine presses, printing from the 19th century on was a mechanical rather than manual operation.

The following videos are included below:

  • Oxford University Press and the Making of a Book. A short silent documentary made in 1925 at the Oxford University Press. The documentary has jaunty music and informative title cards. It shows the hand casting of type, hand composing, Monotype machines, stereotyping, printing, folding the gatherings, trimming gatherings, gilding, casing in, and backing.
  • Stopping the Presses: The Globe’s Dorchester printing plant goes dark. This documentary gives an overview of the mechanics of a major newspaper printing press and provides a sense of the scale of the machines involved.
  • Meet the Machinists Who Keep The New York Times Running. This short documentary is an interview with a group of mechanics working at the New York Times who have to repair the printing machines, which were largely built in the 1990s.

Pressure + Ink

This series of short documentaries from the Museum of Modern Art takes you through different aspects of print illustrative techniques. The documentaries all stand alone, though it is best to watch the general introduction (1:48) and then both the introduction to each technique (2 minutes or less) and the actual demonstration of a given technique (generally 5 to 7 minutes). Phil Sanders was the director of the Robert Blackburn Printmaking Workshop at the time when the video was done and is now an independent artist and printer based in Asheville, North Carolina.

  • Introduction to Printmaking

Relief Printing

  • Introduction to Relief Printmaking
  • Relief Process

Intaglio Printing

  • Introduction to Intaglio
  • Intaglio Process

Lithography

  • Introduction to Lithography
  • Lithography Process

Relief Printing

Intaglio Printing

Lithography

Printmaking at the Met

The Metropolitan Museum of Art has resources describing different printing approaches in detail with short videos of each step.

Linotype

Linotype was one of the great printing innovations of the 19th century. Developed by the German-born engineer Ottmar Mergenthaler (1854-1899), Linotype machines dispensed with the need for manual composition. Instead, Mergenthaler developed a complex machine that cast lines of type as needed, controlled by a single keyboard. Linotype dramatically accelerated the production of printed materials: a skilled Linotype operator could set type at double the rate of a typical hand compositor without needing to redistribute type after use. It was particularly useful for newspapers, which required a furious pace of typesetting. The first Linotype machine was introduced in 1886 at the New York Tribune and was quickly successful: when Mergenthaler died in 1899, over 6,000 Linotype machines were in use around the world. was only supplanted by the advent of digital printing.

The following videos are included below:

  • Farewell Etaoin Shrdlu. A short documentary filmed on location during the typesetting of the last issue of The New York Times to be set using the hot-metal printing process (i.e., a Linotype machine). The Times transitioned to a digital composing process in July 1978. In addition to its discussion of Linotype, Farewell Etaoin Shrdlu provides an overview of overall operation of a newspaper press in the 20th century.
  • Linotype Demonstration. A demonstration done at the National Museum of Industrial History showing a Linotype machine in access with a thorough explanation by the operator.
  • Present! Linotype with Jim Gard. A demonstration done at Willys Peck’s printing museum where a Linotype operator explains the operation of a Linotype machine part by part, opening the machine and explaining each part’s operation in detail.

Paper

Paper was invented in ancient China, probably around 100 BCE. The technology came to the Middle East in the 8th century CE and from there to Europe, arriving with the Moors in Spain in the 12th century. In Europe, the pulp used for paper was usually linen until the 1840s, at which point it began to be replaced by wood pulp, which was cheaper and easier to produce in large quantities but less durable. Medieval paper was made of linen rags and was produced by hand. It was the preferred medium for print, though sometimes a print run would include luxury copies printed on parchment.

The following videos are included below:

  • Chancery Papermaking. A methodical look at the hand production of paper describing the roles of each individual person working in the paper mill and walking the viewer through the production process. This documentary was prepared at the University of Iowa’s Center for the Book and narrated by Tim Barrett, one of the leading paper experts working today.
  • Chancery Papermaking 2016 – 2000 Sheets in One Day. This documentary was made at the University of Iowa’s Center for the Book when they managed to make 2,000 sheets of paper in a single work day, the usual production rate of a medieval or early modern paper shop. Tim Barrett’s narration highlights the benefits from such experiments, particularly in terms of learning how the craft was once practiced.
  • Papermaking by hand at Hayle Mill, England in 1976. A documentary made in 1976 in a paper mill that was still producing paper by hand at the time. (The Hayle Mill closed in 1987.) It includes an explanation of the production of watermarks. Because the paper mill was still operating in the 20th century, the process includes some modern innovations, particularly in the drying of the paper.