The Book by
A concise edition of the highly acclaimed Oxford Companion to the Book, this book features the 51 articles from the Companion plus 3 brand new chapters in one affordable volume. The 54 chapters introduce readers to the fascinating world of book history. Including 21 thematic studies on topicssuch as writing systems, the ancient and the medieval book, and the economics of print, as well as 33 regional and national histories of "the book", offering a truly global survey of the book around the world, the Oxford History of the Book is the most comprehensive work of its kind. The three newarticles, specially commissioned for this spin-off, cover censorship, copyright and intellectual property, and book history in the Caribbean and Bermuda.All essays are illustrated throughout with reproductions, diagrams, and examples of various typographical features.Beautifully produced and hugely informative, this is a must-have for anyone with an interest in book history and the written word.
The Art and History of Books by
Norma Laverie traces the history of book design and formats against a background of the changing patrons and producers of books, the movements of social and political history, the state of the arts, the growth and conflicts of religion, the fresh contacts of trade and the development of technology.
Medieval Texts and Images by 
Understanding Illuminated Manuscripts by
What is a florilegium? What is an incipit? What is batarde script? This book--part of the Museum's popular Looking at series--offers definitions of these and numerous other techniques, processes, and materials used in medieval illuminated manuscripts. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer are presented in an easily portable format. With numerous illustrations, many of them in color, this volume will be invaluable to all readers wishing to increase their understanding and enjoyment of illuminated manuscripts.
The British Library Guide to Manuscript Illumination by
Medieval manuscript expert Christopher de Hamel selects and discusses a range of illuminated manuscripts from The British Library's unparalleled collection, some of them unfinished and so revealing the processes involved in an illuminator's work. He also explores the role of illuminators in the medieval book trade - how books were commissioned, the patron's expectations, how illuminators worked with scribes, the materials and techniques they used, and the time and expertise involved in creating some outstanding masterpieces of medieval art. With over 70 colour and black-and-white illustrations, The British Library Guide to Manuscript Illumination is an authoritative and engaging guide to one of the central aspects of medieval bookmaking for anyone interested in medieval art, social history, calligraphy, or illumination. One of a series of accessible and lively introductions to the history of books and how they are made.
Medieval Illuminators and Their Methods of Work by
Who were the medieval illuminators and how were their hand-produced books illustrated and decorated? In this book, Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the 16th century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied or created anew.
Introduction to Manuscript Studies by
Providing a comprehensive and accessible orientation to the field of medieval manuscript studies, this lavishly illustrated book by Raymond Clemens and Timothy Graham is unique among handbooks on paleography, codicology, and manuscript illumination in its scope and level of detail. It will be of immeasurable help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Introduction to Manuscript Studies features three sections: * Part 1, "Making the Medieval Manuscript," offers an in-depth examination of the process of manuscript production, from the preparation of the writing surface through the stages of copying the text, rubrication, decoration, glossing, and annotation to the binding and storage of the completed codex. * Part 2, "Reading the Medieval Manuscript," focuses on the skills necessary for the successful study of manuscripts, with chapters on transcribing and editing; reading texts damaged by fire, water, insects, and other factors; assessing evidence for origin and provenance; and describing and cataloguing manuscripts. This part ends with a survey of sixteen medieval scripts dating from the eighth to the fifteenth century. * Part 3, "Some Manuscript Genres," provides an analysis of several of the most frequently encountered types of medieval manuscripts, including Bibles and biblical concordances, liturgical service books, Books of Hours, charters and cartularies, maps, and rolls and scrolls. The book concludes with an extensive glossary, a guide to dictionaries of medieval Latin, and a bibliography subdivided and keyed to the subsections of the volume's chapters. Every chapter in this magisterial guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge.
Meetings with Remarkable Manuscripts by
An extraordinary and beautifully illustrated exploration of the medieval world through twelve manuscripts, from one of the world's leading experts. Winner of The Wolfson History Prize and The Duff Cooper Prize. A San Francisco Chronicle Holiday Book Gift Guide Pick! Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too. In so doing, de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, and collectors. He traces the elaborate journeys that these exceptionally precious artifacts have made through time and shows us how they have been copied, how they have been embroiled in politics, how they have been regarded as objects of supreme beauty and as symbols of national identity, and who has owned them or lusted after them (and how we can tell). From the earliest book in medieval England to the incomparable Book of Kells to the oldest manuscript of the Canterbury Tales, these encounters tell a narrative of intellectual culture and art over the course of a millennium. Two of the manuscripts visited are now in libraries of North America, the Morgan Library in New York and the Getty Museum in Los Angeles. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts allows us to experience some of the greatest works of art in our culture to give us a different perspective on history and on how we come by knowledge.
Books Before Print by
This beautifully illustrated book provides an accessible introduction to the medieval manuscript and what it can tell us about the world in which it was made and used. Books Before Print explores how manuscripts can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information. It highlights extraordinary continuities between medieval book culture and modern-world communication, as witnessed in medieval pop-up books, posters, speech bubbles, book advertisements, and even sticky notes.
The European Book in the Twelfth Century by
The 'long twelfth century' (1075-1225) was an era of seminal importance in the development of the book in medieval Europe and marked a high point in its construction and decoration. This comprehensive study takes the cultural changes that occurred during the 'twelfth-century Renaissance' as its point of departure to provide an overview of manuscript culture encompassing the whole of Western Europe. Written by senior scholars, chapters are divided into three sections: the technical aspects of making books; the processes and practices of reading and keeping books; and the transmission of texts in the disciplines that saw significant change in the period, including medicine, law, philosophy, liturgy, and theology. Richly illustrated, the volume provides the first in-depth account of book production as a European phenomenon.
A Guide to Western Historical Scripts from Antiquity to 1600 by 
Making Medieval Manuscripts by
Many beautiful illuminated manuscripts survive from the Middle Ages and can be seen in libraries and museums throughout Europe. But who were the skilled craftsmen who made these exquisite books? What precisely is parchment? How were medieval manuscripts designed and executed? What were the inks and pigments, and how were they applied? This book looks at the work of scribes, illuminators and book binders.Based principally on examples in the Bodleian Library, this lavishly illustrated account tells the story of manuscript production from the early Middle Ages through to the high Renaissance. Each stage of production is described in detail, from the preparation of the parchment, pens, paints and inks to the writing of the scripts and the final decoration and illumination of the manuscript. This book also explains the role of the stationer or bookshop, often to be found near cathedral and market squares, in the commissioning of manuscripts, and it cites examples of specific scribes and illuminators who can be identified through their work as professional lay artisans.Christopher de Hamel's engaging text is accompanied by a glossary of key technical terms relating to manuscripts and illumination, providing an invaluable introduction for anyone interested in studying medieval manuscripts today.
Medieval Manuscript Book by
Traditional scholarship on manuscripts has tended to focus on issues concerning their production and has shown comparatively little interest in the cultural contexts of the manuscript book. The Medieval Manuscript Book redresses this by focusing on aspects of the medieval book in its cultural situations. Written by experts in the study of the handmade book before print, this volume combines bibliographical expertise with broader insights into the theory and praxis of manuscript study in areas from bibliography to social context, linguistics to location, and archaeology to conservation. The focus of the contributions ranges widely, from authorship to miscellaneity, and from vernacularity to digital facsimiles of manuscripts. Taken as a whole, these essays make the case that to understand the manuscript book it must be analyzed in all its cultural complexity, from production to transmission to its continued adaptation.
Divine Art, Infernal Machine by
There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.
The Printing Revolution in Early Modern Europe by
Although the importance of the advent of printing for Western civilisation has long been recognised, it was Professor Eisenstein, in her monumental, two-volume work, The Printing Press as an Agent of Change, who provided the first full-scale treatment of the subject. This illustrated and abridged edition of Professor Eisenstein's study gives a stimulating survey of the communications revolution of the fifteenth century. It begins with a discussion of the general implications of the introduction of printing, and then explores how the shift from script to print entered into the three major movements of early modern times: the Renaissance, the Reformation, and the rise of modern science.
William Caxton and Early Printing in England by
William Caxton (1415~22-92) laid the foundations of publishing in England--he not only introduced the printing press to England, but was also the first English book retailer. In 1473 he printed Britain's first book--Recuyell of the Historyes of Troye--and thus established the printing and book industry in the country. His best known publications are Chaucer's Canterbury Tales, the Golden Legend, and Malory's Morte D'Arthur. He also translated historical works and romances and wrote prefaces to his books. As publisher of more than one hundred publications, Caxton established a new readership for major works in English. William Caxton and Early Printing in England takes a fresh approach to the first sixty years of printing in England by placing Caxton, his contemporaries, and other early publishers in the broad context of the history of book production between the middle of the fifteenth century and the Reformation. Although many of the early printers in England, Caxton included, had experience of the nascent printing industry in Europe--notably the French, German, and Dutch printers--printing and publishing in England quickly developed a unique character of its own. This readable and highly illustrated account is a fascinating history of the birth and growth of an industry with a very significant place in British history.
